Lost Stories / Grief & Mourning

The Mystery Cure for Grief

Blane Brazier, MA, LPC

Freud's Mourning and Melancholia offers a starting point for a question that still matters in grief work: what happens to a person's relationship with themselves when someone they love is lost? Mourning concerns a loss in the world, but it may also disturb the identifications, expectations, and wishes through which a person has come to know who they are.

This is where I want to begin the story of the talking cure for grief. A mourner may describe the death many times and still feel that something essential has not been heard. The difficulty may concern the relationship that remains within them, the life they expected, or an experience that has never quite become thinkable.

Freud's inquiry draws attention to the difference between missing another person and turning the loss into an accusation against oneself. His account of identification invites us to consider how a relationship continues within the person who mourns. The clinical question becomes more particular: what was loved, what was wished for, and what remains difficult to acknowledge about the relationship?

Later psychoanalytic perspectives extend this inquiry. Klein's writing opens questions about love, aggression, and ambivalence, while Bowlby's work brings separation and attachment into focus. These perspectives offer different ways of listening, although the mourner's own words must give the work its direction.

A relationship continues in images, remembered words, expectations, and habits of desire. A parent may remain the person whose approval must finally be earned. A partner may be remembered as entirely good, while every conflict becomes an accusation against the surviving person. Such an image can preserve something precious while making other experiences difficult to acknowledge.

I use imago to think about these emotionally charged images of ourselves and others. In grief, the image of the loyal child, devoted spouse, or selfless caregiver may become a demanding account of who the mourner must continue to be. Pleasure can feel disloyal. Anger can feel like the destruction of love. A wish for a different life can become evidence of failure.

The familiar advice to accept, let go, or find meaning may offer comfort while leaving this conflict unspoken. My interest is in the relationship to those instructions: whose voice they seem to carry, what they promise, and what they make difficult to say.

Talking can do more than explain an already familiar experience. In the presence of a listener, something may begin to take form that had previously been lived as a mood, bodily tension, or repeated disappointment. A minor detail interrupts the familiar story and becomes the beginning of another association.

This is one reason I attend closely to dreams, hesitations, repeated phrases, and reactions to the therapy itself. What happens between us may offer a way to think about expectations that otherwise remain difficult to recognize. The direction develops through the mourner's speech rather than through a predetermined account of what the loss must mean.

Mourning may allow a more complicated picture of both the person who died and the person who survives. Love and disappointment can coexist. A bond can remain important while its authority changes. New desires may become possible without requiring the loss to disappear. An initial conversation might begin with what feels unresolved, including a feeling that seems too small, too angry, or too contradictory to belong in the story one has been expected to tell.

Notes & Further Reading

  1. Sigmund Freud, "Mourning and Melancholia" (1917), in The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 14, 237–258.
  2. Melanie Klein, "Mourning and Its Relation to Manic-Depressive States" (1940), reprinted in Love, Guilt and Reparation and Other Works, 1921–1945.
  3. John Bowlby, Attachment and Loss, vol. 3, Loss: Sadness and Depression (1980).

Books on This Subject

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